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The sensation is that of something inconclusive, unconsummated, unrequited. The speed and power of the aircraft feel thunderous, even as the sun remains frozen in its un-set state. Because of the plane’s speed, the sun never slips below that horizon. The looped video, shot from a military aircraft flying at supersonic speeds against the Earth’s rotation, shows the sun over a watery horizon.
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But it also includes more abstract and philosophical interpretations, including Andrea Galvani’s video installation “The End (Action #5),” 2105, which shows a sun that never quite sets over the ocean. The show includes direct invocations of love, such as Zaatari’s poignant short film. Martin Luther King Jr.'s visions of brotherly love and social justice “The Poetics of Love,” on how it’s put into words and “The Love Supreme,” which considers love in the context of union with God or with nature. The show opens on the concept of “The Two,” the union of couples in their myriad forms, and from there proceeds to other definitions of love: “The School of Love,” which considers the ways we learn to love “The Practice of Love,” in which it is expressed through acts of intention or self-discipline “Loving Community,” inspired by the Rev. Works dating from 1990 to the present are organized thematically. Instead, it reads more like meditations on the different ways love can manifest in our lives. That would be exhausting - and impossible. The exhibition by no means attempts a comprehensive cataloging of art about love.